| At the end 
        of 1992 the Russian band GRENOUER was founded in the city of Perm in the 
        heart of the Western Ural mountain ranges. Initially they performed ultra 
        brutal death metal, a genre very popular among the newly formed bands 
        on the global metal scene at that time. In 1993, after recording the demo 
        'Death of a Bite', the band then had the necessary material to set about 
        establishing a cult following in their local region. Over time, Grenouer 
        took steps to create their own identity, which intern allowed them to 
        vastly improve their musical ability. Eventually in 1996, a full length album entitled 'Border of Misty Time' 
        was recorded at Aria Records studio in Moscow. This was the studio of 
        choice for Russia's top metal bands such End Zone, Goresleeps, Bosch and 
        Gods Rower, and was by far the most suitable for recording this particular 
        type of music. Musically, 'Border of Misty Time' was classic death metal 
        which incorporated elements of thrash metal. Its lyrical content focused 
        primarily on the correlation between modern and ancient times. Soon after 
        recording the album, 5,000 copies were pressed and sold through Metal 
        Agen Records to critical acclaim. Grenouer then took its rightful position 
        as one of Russia's leading death metal acts. As a result of this album 
        and their prominence on the live circuit, the band's profile dramatically 
        increased, thereby allowing them to organise a series of 13 festivals. 
        These 'Death Panorama' festival attracted leading metal acts from all 
        over the former of USSR.
 In 1998, they then recorded their highly anticipated second album, 'Gravehead', 
        in the same Aria studio. It was very much in the style of death/black 
        metal and proved to be a very successful follow-up. As a band, Grenouer 
        were now able to stand tall having played an impressive number of live 
        shows and honed their musical skills. The distinctive quality of their 
        sound soon became their signature. All the hard work in their homeland 
        paid off and the ensuing media attention allowed them to increase their 
        fan base.
 As the year 2000 approached, new material was written which resulted in 
        a third studio album, 'The Odour O'Folly'. This new album was full of 
        catchy tunes and its highlight was a live cover of A-Ha hit 'Take on Me', 
        which became an instant crowd pleaser.
 The last full length Grenouer album entitled 'Presence with War' was recorded 
        in 2003 at Navahot studio in Moscow and got mastered at famous Finnvox 
        studio in Finland. After the recording of this album, the band permanently 
        relocated to St. Petersburg where they continue to live and create their 
        music.
 The unusual album title focuses the listeners' attention on the human 
        propensity for war. The main artwork was created by Mickmo, a talented 
        American artist working within the comic book industry, and is a symbolic 
        representation of the God of War. The songs support the theme of war by 
        aiming to crush any hope of remaining alive, whether you be a soldier 
        of fortune, an attacking clone or a Communist skinhead. Ultimately, the 
        underlying theme is that the destiny of flesh is death, so the sooner 
        it happens, the better. The albums is a reflection of recent events as 
        well as our entire history. Grenouer toured extensively with this album 
        throughout the former USSR during 2004, receiving an extremely enthusiastic 
        reception from fans of both brutal and hardcore metal.
 Over the years, Grenouer has developed a style all of its own, something 
        which cannot be strictly categorised. This was exhibited on the new MCD 
        'Try', recorded in 2005 and subsequently mixed at Astia studio in Finland 
        under the supervision of Anssi Kippo, soundproducer of Children of Bodom. 
        This time the music of Grenouer comes crashing down on the heads of listeners 
        with the successful experiments of modern techno-death metal. Also, between 
        2002 and 2004, members of Grenouer participated in the death black metal 
        project Tartharia, which was signed to the US label, Crash Music Inc, 
        home of Flotsam And Jetsam and Metalium.
 |